![]() ![]() What can we do with it?’ And the next thing we know Keith is back with The Who and the whole thing never got off the ground.”Ģ. Reflecting in a 2018 Classic Rock Magazine interview, Beck noted of the track’s particular alchemy: “I couldn’t believe it when we went back and listened to it in the control room. All in all, it’s a pretty wild ride, and its psychedelic leanings just about pre-date other milestones in the genre such as Jimi Hendrix’s arrival in London and the formation of Cream. The climactic part of the track builds with layers of unadulterated blues-rock wailing before concluding abruptly at just 2 minutes and 50 seconds. ![]() Part two leaps into action with a scream from Keith Moon and the melody line is ditched in favour of multiple interwoven layers of guitar effects including feedback, phase and echo – all rather experimental soundscaping techniques for the time. Over the first section, Beck’s lead parts, which he played on a Gibson Les Paul through a Vox AC30 amp, alternate between a fuzz-driven main melody and an echo-laden slide motif. ![]() The song consists of three distinct parts. ![]()
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